Anitta's 'Equilibrium' Tour Kicks Off with 42-Song Setlist Including Gilberto Gil and Natiruts
Pop superstar Anitta launched her "Equilibrium tour" on Saturday, August 1st, at the Fly 51 arena in Porto Alegre, Rio Grande do Sul. The show's extensive 42-song setlist is divided into four acts, with an additional block dedicated to her career hits. The tour's creative direction was handled by Nídia Aranha. This national tour, which began in Porto Alegre, is scheduled for only six performances throughout August, with stops planned in São Paulo, Fortaleza, Niterói, and Salvador. A notable inclusion in the setlist is the ijexá song "É d'Oxum," originally by Gerônimo Santana and Vevé Calazans, which Anitta previously performed in 2020. The song's spiritual depth aligns with the themes of her albums "Equilibrium" and "Equilibrium II," released between April and July. The setlist also features Gilberto Gil's 1982 samba "Andar com fé," performed alongside Anitta's song "Caminhador." Additionally, the reggae hit "Presente de um beija-flor" by Natiruts (originally Nativus), released in 1997, is included. The show's structure intersperses songs from her "Equilibrium" albums with these diverse external musical selections.
The inclusion of established Brazilian musical works by artists like Gilberto Gil and Natiruts, alongside spiritual ijexá music, within Anitta's "Equilibrium tour" setlist suggests a strategic effort to broaden her appeal across different demographics and musical tastes. This approach may aim to leverage the cultural resonance of these iconic songs to enhance the perceived depth and artistic merit of her own "Equilibrium" album series. By weaving these diverse influences into a cohesive 42-song performance, Anitta's team is likely seeking to position her not just as a contemporary pop artist, but as a curator of Brazilian musical heritage, potentially strengthening her long-term artistic legacy and market position. This strategy could also serve to mitigate potential criticisms regarding the originality or thematic consistency of her new material by grounding it in familiar and respected musical traditions.
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